Navajo Rugs
| | Jackson Clark, Sr., the founder of Toh-Atin Gallery, began trading in Navajo rugs in 1957. Toh-Atin is proud to have one of the finest selections of Navajo rugs and Navaho Art in the country. We at Toh-Atin believe that the Navajo weavers of today are among the most creative artists in the world. While we value, appreciate and proudly offer the fine work of weavers who wove the blankets and rugs of a century or more ago, we believe that the best pieces coming off Navajo Indian looms today are every bit their equal. The Navajo loom is upright. The exact length and width must be planned as the ends are attached before any Indian rugs are made. The wool is washed, spun and, in some cases, dyed. The rug can take many weeks and, often, several months to complete. Navajo weaving is constantly changing; in the latter part of the 19th Century, white Traders influenced the patterns and sizes of Navajo rugs. Patterns and styles of weavings became identified with particular Trading Posts, i.e., Ganado, Teec Nos Pos, Two Grey Hills and Crystal. However, recent trends in Navajo weaving emphasize the independence of the weaver. Prices have escalated over the years, partially due to increased demand and the fact that fewer Navajo women are taking up this fine art. Navajo Indian life has changed. Even though today's weavers are creating outstanding pieces, there is strong demand for older rugs. It is probably safe to assume that values will continue to increase, but this should not be used as the sole reason for purchasing a Navajo rug. A Navajo weaving should be purchased for enjoyment now, and in the future. Please look through our web site selections and give us a call. Our associates are looking forward to answering your questions and finding the perfect weaving for you. Our inventory is constantly changing and not every weaving is featured on our site. Care and hanging of your Navajo weaving We will be happy to send a weaving to you "on approval." If you decide you do not like it, return it to us for a full refund of the purchase price. For an article on the history of Navajo weaving, click here . | | | | |
| | For many years, regional weavings have continued to change and evolve, but still within the recognized regional guidelines. In the late 1970's, a group of five sisters from the Burnham area on the Navajo Nation began a new journey in the history of Navajo weaving. They began to combine patterns and designs from all of the weaving areas, along with pictorial elements and patterns of their own. | |  | | |
| | The Burntwater area is located between Holbrook, Arizona, and Gallup, New Mexico. Although the Burntwater area technically includes Wide Ruins and Pine Springs, we have placed these style rugs in the "Chinle" section because of their similarity of design, mainly the use of stripes with no border. | |  | | |
| | The Chinle area at the mouth of Canyon de Chelly has been the site of a number of trading posts, beginning with a tent in 1882, including J. L. Hubbell's "castle" in 1900, and finally settling with the Thunderbird Lodge. | |  | | |
| | Licensed in 1896, J. B. Moore opened the Crystal Trading Post located on the west side of the Chuska Mountains. He originated designs (with Turkish and Mediterranean influence) that he thought would appeal to eastern buyers, improved the wool and encouraged quality weaving. In 1903 and 1911 he published mail-order catalogs, and soon his rugs were known all over the country. | |  | | |
| | One of the best known of Navajo rugs, the Ganado red style was originally created by Lorenzo Hubbell, perhaps the most well known of the Indian traders. The modern Ganado is still much like the original, consisting of centralized crosses or diamonds, often on a brilliant red background, although red on a gray background is often seen. | |  | | |
| | Our geometric weavings include those weavings we cannot place under any of the other listings, including those fine pieces that are Hispanic, rather than Navajo. | |  | | |
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| | Navajo pictorial weaving has been a mirror of the Navajo experience, with the first documented mention of pictorial weaving in 1840. When the railroad reached Gallup, New Mexico, in 1882, its arrival was reflected in the appearance of a train in a weaving. American Flags, railroad cars and elements such as cattle, chickens, horses, eagles and 5-pointed stars soon appeared. Some of the most intriguing pictorials represent traditional elements of Navajo culture and spiritual life. In the 1920s and 1930s the powerful medicine man, Hosteen Klah, wove ceremonial rugs that were copies (purposefully not exact copies) of sandpaintings that were created and destroyed in the same day. Soon it was common to find Ye'i (Navajo Holy People) and Ye'i Bi Chei dancers portrayed on weavings. Isabel John, the most famous of the pictorial weavers, passed away when the automobile in which she was riding was hit by an intoxicated driver in December 2004. For more information on this wonderful weaver, click here. We have three of her weavings on our last Pictorial page. | |  | | |
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| | Most of our saddle blankets have been used, which is part of what makes them so wonderful. As usual, we don't have everything on the site, so you don't see it here, please call, we may have it in the gallery.
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| | The Storm Pattern can be easily recognized by its central block with four arms extending to the areas near the corners that represent the four sacred mountains of the Navajo Reservation. Often these | |  | | |
| | In a remote area west of Shiprock, New Mexico, the Teec Nos Pos Trading Post was established in 1905. Its weavers produce a tightly woven, intricate design, often in small amounts of bright colors. | |  | | |
| | Sometimes known as the "Cadillac" of Navajo rugs, the Two Grey Hills is a bordered rug and utilizes natural wool tones of white, brown and black. No commercial or vegetal dyes are used except for the black color. | |  | | |
This is a beautiful J.B. Moore weaving. It is made with hand spun wool and is a fantastic large weaving. It measures 64 inches by 96 inches.
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Circa 1940's this weaving is made of handspun wool and is an excellent price. There is some running of the red but would make a lovely floor rug. It measures 45 inches by 68 inches.
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The simple design of this weaving is gorgeous. The colors vibrant and bright. It measures 21 inches by 19 inches.
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This is a lovely weaving with a windmill in the scenery. It measures 21 inches by 19 1/2 inches.
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This weaving is made with handspun wool. It is an excellent size and a lovely weave. It measures 46 inches by 23 inches
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The tumbling block design is lovely. It is in many ways an optical illusion weaving. It measures 44 inches by 32 inches.
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This is a beautiful large Chinle weaving. The colors are natural dyes and the wool has been hand spun. It measures 64 inches by 47 inches.
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This is a very unusual design for a weaving. One can see the Yei figures connected with branches, like that of a tree. It measures 58 inches by 34 inches.
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This is a beautiful Sandpainting style weaving. It is made with an extremely tight weave. It measures 39 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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This is all natural hand spun wool. It measures 33 inches by 23 inches.
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