Pottery
| | Toh-Atin Gallery is fortunate to have an excellent Southwest hand-coiled pottery collection, which includes very fine Navajo, Ute and Pueblo pottery. Among the potters whose work we show currently are Maria Martinez and the Nampeyo and Navasie families. In addition, we carry some very fine Mata Ortiz pottery, including pieces by the Quezada family. Much of the biographical information on these fine potters has been taken from the three volumes of Pueblo Indian Pottery . . . Artist Biographies by Gregory Schaaf, CIAC Press, Santa Fe, New Mexico. This site contains most, but not all, of the Southwest pottery we currently show in the gallery. If you are looking for a special piece or the work of a particular artist, please let us know. The pottery of the Pueblo indians of the American Southwest is part of a centuries old tradition. The Anasazi of Mesa Verde and Chaco Canyon, the ancestors of today's Pueblo people, fashioned beautiful pottery to use in everyday life. Their storage bowls, cups and eating bowls were adorned even though their lifespan was short because of the limitations of low heat firing. Today, the artists from such Pueblo villages as San Ildefonso, Santa Clara, Acoma, Santo Domingo, Zuni, the Hopi villages and others create beautiful art pottery, not to use, but to celebrate the culture that has survived for centuries. These pots are still made from the natural clay, cleaned and shaped by hand, without the use of a potter's wheel. They are polished using smooth stones and painted with vegetal and clay slips before being fired under piles of sheep manure or pinion wood. One of the oldest and most collectible of Native American art forms, Pueblo pottery is a testament to the survival of this wonderful culture. We have included a separate page for Storytellers, as potters from other pueblos, in addition to Cochiti, are now making many of these fine pieces. | | | | |
| | The oldest continuously-populated town in the United States lies atop a high mesa in New Mexico. This is the pueblo of Acoma, which looks today much as it did when the Spanish arrived in the 1500s. Acoma Pueblo is well-known for its beautiful white, thin-walled pottery, often with parrots, rainbows and Mimbres figures. Lucy Lewis and her descendants, the Torivio and Chino families are among the most respected families of potters. | |  | | |
| | The Hopi people have lived for centuries on three mesas in northern Arizona. Hopi pottery today is a legacy of the old abandoned Hopi pueblo of Sikyatki. Hopi clay is fired to shades of cream to apricot or light red, depending upon iron content. | |  | | |
| | Jemez Pueblo is located fifty miles northwest of Albuquerque and dates back to 1703. The pottery varies widely, depending upon the potter. Juanita Fragua is known for her melon styles pots, but she creates other styles, as well. | |  | | |
| | Mata Ortiz has become one of the most famous villages known by fine pottery collectors. Juan Quezada first taught himself how to recreate the beautiful old Casas Grandes style pots from shards he found scattered in the desert around his home in northern Mexico, and then taught his family the art. | |  | | |
| | A coating of a combination of piñon and pine pitch is used on Navajo pottery, which makes it distinct from other pueblo and Southwestern pottery. This pitch was traditionally used to seal the pots for carrying water and food. | |  | | |
| | Pottery from other pueblos, including Laguna, and areas and artists, including replica pottery. | |  | | |
| | San Ildefonso Pueblo is located in north-central New Mexico, and has produced some of the most famous and innovative hand-coiled potters in North America. Maria and Julian Martinez, their descendants Santana, Adam, Popovi and Tony Da; Blue Corn and Rose Gonzales are well-known innovators in the pottery world. Maria and Julian developed the art of firing to make the first matte black design on polished jet black pottery. Blue Corn is primarily known for her earth-colored highly-polished slips. Rose Gonzales made the first modern carved pottery with distinctive rounded edges. Toh-Atin is privileged to carry pieces by these exceptional artists. | |  | | |
| | Santa Clara and San Ildefonso have both been known for black pottery for over three centuries. A Santa Clara tradition is the creation of large storage jars with an indented bear paw design. The near-legendary families of Tafoya, Naranjo, Navasie and Gutierrez continue to make some of the finest pots in the world. Margaret Tafoya, the matriarch of Santa Clara Pueblo potters, passed away in February 2001 at the age of 96. | |  | | |
| | Santo Domingo Pueblo is located south of Santa Fe in northern New Mexico. Its potters are known for simple, bold designs that have changed little since the 1700s. For religious reasons, general | | | | |
| | Cochiti Pueblo is probably best known for its storyteller pottery; arguably, the first storyteller was created by Helen Cordero. Many potters at Cochiti and other pueblos have since taken up th | |  | | |
| | Zia is an old northern New Mexico pueblo that was reported by Coronado's men in 1540. The common motif is the roadrunner, as well as stylized birds, rainbows, flowers, and other geometric patterns, i | |  | | |
| | Zuni Pueblo is located just south of Gallup, New Mexico. Most clay at Zuni is pink, often covered by a white slip. Sculpture, water and hunting symbols are popular. | | | | |
The leathery tan color of this pot is beautiful. There is a complexity to the design that stands alone in her pot making. This pot measures 4 inches by 4 3/4 inches.
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Clouds and feather designs cover this pot. The natural pigments are fantastic in this intricately designed pot. It measures 3 1/2 inches by 5 inches.
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This flawless little Hopi pot is wonderful. The butterfly designs are fantastic and is what the artist is known for. It measures 2 3/4 inches by 2 1/2 inches.
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Joy Navasie is one of the most well known Hopi potters. She signs each pot with her symbol, a frog. She is also known as Frog Woman.
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World renown potter from San Ildefonso Pueblo, Margaret Tafoya's pots are highly sought. This pot is in excellent condition. There has been some repair work done on this pot.
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The slip on this pot is beautiful. There are small little hairline cracks around the pot which adds to the authentic look and design. This would make a great decorator piece. The size of this piece is 14 inches by 14 inches by 4 1/2 inches.
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"The Potter" is a reprint of the work of Edward Curtis. The measurements of this piece are 27 inches by 39 inches.
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Unsigned and in excellent condition for it's age. The dimensions of this piece are 9 1/2 inches by 11 1/2 inches. Heart designs are seen flowing around this gracefully designed pot.
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Lawrence Namoki is both Polacca and Hopi. He is prolific at his deep carved ware. This pot has two koshari and two mudhead around a sun face design. It also stands 5 1/2 inches.
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Rachel Nampeyo is the daughter of Priscilla Nampeyo and granddaughter of the famous Fannie Nampeyo. She is well known for her fine slips and great use of color and design. This vase stands 9 inches.
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Dolls are highly sought. This Hopi doll is holding a real pot signed by renowned artist Rachel Nampeyo. The piece stands 9 inches tall.
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This piece is signed Grace Chino. The color and design have an aged antique look. It is beautiful. It stands 7 1/2 inches tall.
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Grace Chino concentrates on traditional Acoma pottery. Her designs well balanced and artistic. This pot measures 7 1/2 inches tall and 8 inches wide.
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Charmae Sheilds Natseway is known for the quality of pottery she produces and unique shapes given to many of them. She is the granddaughter of Dolores S. Sanchez. This pot stands 4 inches tall.
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This bowl was made by Lela and Luther Gutierrez, a famous mother and son team. This bowl is 4 inches tall and 6 inches wide.
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This wedding vase is stunning. The precise designs on the pot are made beautifully. The muted colors are exquisite.
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This pot stands 3 inches tall. Signed Lela and Luther Gutierrez this pot has the Avanyu "water serpent" design.
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Lela and Luther Gutierrez are of the Santa Clara Pueblo. The pots from this mother and son collaboration are highly sought. They would add to any collection. This wedding vase stands 5 1/2 inches.
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1961 Blue Ribbon Winner by San Juan Pueblo potter Pricilla Vigil. Beautiful micaceous clay. Condition is fair has some surface scratches and a small chip on the lip.
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Featured bowl is 2 1/2 inch by 5 inches and this Anasazi replica is a small Mesa Verde Black-on-white bowl. This art is a variation of the interlocking scroll motif, and is an Anasazi classic. In this case one scroll is the large hatched "S", the other a wide black line which is echoed in other lines all the way to the rim. Each of Clint's replicas comes with a detailed pedigree certificate.
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